There's a downside to making jewelry? How can this be?
Well, let me tell ya!
I shipped off four pairs of earrings to a very nice lady in Florida yesterday. Hooray! BUT, two of the pairs were among my own personal all-time favorites and I'll never see them again. The lady is a stranger to me so we won't travel in the same social circles where I might chance seeing the earrings, and she lives on the other side of the US of A.
Oh, I hear you. Just make another pair for myself, right? Wrong! Some of the components aren't accessible to make the same earrings. And I'm not a precise maker of jewelry and I don't do production pieces. Each pair of my earrings is unique, so even if I start out trying to make the same earring design, they end up different. Different isn't bad. I'm just not precise enough to replicate EXACTLY what I've created before.
I do console my loss by thinking of all those women out there sashaying around wearing my earrings and that is an upside to making jewelry.
All is balance.
Showing posts with label Birch Bay Kay. Show all posts
Showing posts with label Birch Bay Kay. Show all posts
Wednesday, August 22, 2012
Friday, January 20, 2012
Invigorating!
Yes, it is invigorating to upload some new earrings to http://www.birchbaykay.etsy.com/ for people to see and purchase! Just in time for someone to gift to their sweetie, or to be nice to themselves for Valentine's Day.
I've been putting so much time and effort into West As the Crow Flies, that the jewelry creating was placed on a back burner. There were some earring designs I wanted to FINISH; they've been started for quite a while, but now two of the pairs of earrings are finished and uploaded. Whew! Feels great!
I've been putting so much time and effort into West As the Crow Flies, that the jewelry creating was placed on a back burner. There were some earring designs I wanted to FINISH; they've been started for quite a while, but now two of the pairs of earrings are finished and uploaded. Whew! Feels great!
Tuesday, January 17, 2012
Authentic or not authentic? That is the question!
A number of years ago at a dusty little thrift shop in Redlands, I came into possession of an old necklace. I tucked it away for future use, forgot about it, but in hunting through some boxes I came across it again. I had a strong suspicion that the carved ivory elephants and beads weren't real ivory. The beads on the right above are from that salvaged necklace.
I will be uploading the beads to West As the Crow Flies, but I wanted to make certain I knew if they were authentic ivory, bone or resin.
I went online and came across the following article by Pacific City Antiques Gallery. It provided a lot of insight about various types of ivory, which I found helpful. The test to determine authenticity was also interesting.
There were a couple of comments about poaching that I can't really stand behind, but I don't know when this online entry was made. I found it helpful enough to include the entire article here.
I tested the faux ivory beads and, indeed, they melted in an inconspicuous place and there was the definite smell of plastic. Nonetheless, they are lovely beads and I know someone will be tickled pink to purchase them!
Ivory ... Is It Fake?
"There is always that fear that the treasure you just bought is a fake. I think the fear is exaggerated. After some experience handling ivory, one can easily distinguish most 'fakes'. Fakes are usually made from resins. Sometimes these resins will be blended with the remnants of ivory or bone carvings ground up to a fine powder. They then mix it with resin and cast them in a mold and then 'clean' them up by hand (sometimes not). They usually stain them a very dark, heavy stain then wipe off the high areas to give the impression of 'wear'.There is also 'French ivory', 'celluloid', or 'ivrine'. This type of man made material looks like ivory with very nice grain. However, the grain is very wide and consistent (too consistent.) This material was used mostly for dresser accessories such as brushes, combs, change boxes, letter openers, page turners, etc., very few figures, although I have seen them. Resin items will not have the weight of ivory. Ivory has a very heavy specific gravity compared to most materials.
Now let's talk about ivory. There are many types of 'real' ivory. Even though some consider anything but Western African Elephant ivory 'fake', this is not true. Netsuke and Okimono carvers used a variety of natural materials, not just elephant ivory.
When someone asks me what I collect, because I collect more than Netsuke and ivory, I tell them 'hand carved items made from natural materials'. It is the art I am after, it is just a coincidence that the vehicle is ivory.
Real ivory comes from the tusks or teeth of mammals. Some of these mammals live in the sea, some on land. One thing they have in common is they are all 'long lived'. Some types of real ivory are elephant, walrus, hippopotamus, whale, norwal, mammoth, mastodon, and wild boar (warthogs).
Without going into the characteristic of all ivories, I will concentrate on elephant ivory. First, 'green' or 'live' ivory usually referred to as 'new' ivory (not necessarily newly carved).
This ivory was usually taken from live elephants (poached?) But also, keep in mind the natives would kill elephants to eat and then harvest the tusks to sell later to the ivory buyers. Not all elephants that were poached were killed just for their tusks. Imagine having to feed a tribe of 300 natives daily in the barren plains of African. The elephant was a prime target. This new ivory is warm in color, translucent and dries out much lighter.
Then there is African elephant ivory and Asian elephant ivory. The Asian ivory is a denser white and is more open of grain and softer than African ivory. This is why most India carvings are so intricate, they used the ivory from Asian elephants, which is much easier to carve.
So the old fable of 'ivory grain' is not dependable to tell 'real ivory.' Some ivories have little grain.
There is also Western Africa ivory and Eastern Africa ivory. The ivory from the eastern side of African is referred to as 'soft ivory', which is more dull and contains more moisture and stands changes in temperature better. The ivory from Western Africa is referred to as 'hard ivory', which is glassy and translucent.
The Japanese used a lot of the Western African ivory for their Okimonos.
So, now that you are totally confused about the many types of ivory, I will tell you that elephant ivory does not always have obvious grain. I use a 15x loupe to inspect for grain. On the bottom of most carvings you like to see the crosshatching where the grains crisscross. This cannot be 'faked', but also does not mean it is not ivory if absent. Hippo ivory will have fine grain but no crosshatching.
THE TEST
The tried and true method to test ivory is the famous 'hot pin test'. This method is used by beginners and experts alike. Because true ivory is virtually impenetrable with heat, this is a good test and will not damage the item if it is 'real'.
Take a pin, large needle, or better yet, a large straightened out safety pin, and heat the tip RED-HOT. Poke the item somewhere that it will not show too bad. I use the Netsuke hole. If it is real ivory, it will NOT penetrate and only leaves a tiny, tiny mark. If it is resin, it will enter the item and produce a little crater around the hole.
Now the big test. Smell the 'smoke' that comes of the test as you are poking the item. If it is real ivory, it will have that unmistakable smell of the dentist's office, when you had that root canal. It smells like burning tooth, because it IS. If it smells like burning plastic, it IS.
Now, bone is also resistant to heat, but not as much as ivory. The smell is less, or hardly at all, and is different from burning tooth. Bone is absolutely free of grain and will always have little pock marks, where the marrow or blood was. One may need a loupe to see such pock marks ..."
www.asian-arts.net/oriental-treats/fake.html (Pacific City Antiques Gallery)
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The carved ivory on the left is authentic. Dad served as a pilot in WWII in India and brought back the carved ivory rose for my Mom, who he secretly married before heading to India. |
A number of years ago at a dusty little thrift shop in Redlands, I came into possession of an old necklace. I tucked it away for future use, forgot about it, but in hunting through some boxes I came across it again. I had a strong suspicion that the carved ivory elephants and beads weren't real ivory. The beads on the right above are from that salvaged necklace.
I will be uploading the beads to West As the Crow Flies, but I wanted to make certain I knew if they were authentic ivory, bone or resin.
I went online and came across the following article by Pacific City Antiques Gallery. It provided a lot of insight about various types of ivory, which I found helpful. The test to determine authenticity was also interesting.
There were a couple of comments about poaching that I can't really stand behind, but I don't know when this online entry was made. I found it helpful enough to include the entire article here.
I tested the faux ivory beads and, indeed, they melted in an inconspicuous place and there was the definite smell of plastic. Nonetheless, they are lovely beads and I know someone will be tickled pink to purchase them!
Ivory ... Is It Fake?
"There is always that fear that the treasure you just bought is a fake. I think the fear is exaggerated. After some experience handling ivory, one can easily distinguish most 'fakes'. Fakes are usually made from resins. Sometimes these resins will be blended with the remnants of ivory or bone carvings ground up to a fine powder. They then mix it with resin and cast them in a mold and then 'clean' them up by hand (sometimes not). They usually stain them a very dark, heavy stain then wipe off the high areas to give the impression of 'wear'.There is also 'French ivory', 'celluloid', or 'ivrine'. This type of man made material looks like ivory with very nice grain. However, the grain is very wide and consistent (too consistent.) This material was used mostly for dresser accessories such as brushes, combs, change boxes, letter openers, page turners, etc., very few figures, although I have seen them. Resin items will not have the weight of ivory. Ivory has a very heavy specific gravity compared to most materials.
Now let's talk about ivory. There are many types of 'real' ivory. Even though some consider anything but Western African Elephant ivory 'fake', this is not true. Netsuke and Okimono carvers used a variety of natural materials, not just elephant ivory.
When someone asks me what I collect, because I collect more than Netsuke and ivory, I tell them 'hand carved items made from natural materials'. It is the art I am after, it is just a coincidence that the vehicle is ivory.
Real ivory comes from the tusks or teeth of mammals. Some of these mammals live in the sea, some on land. One thing they have in common is they are all 'long lived'. Some types of real ivory are elephant, walrus, hippopotamus, whale, norwal, mammoth, mastodon, and wild boar (warthogs).
Without going into the characteristic of all ivories, I will concentrate on elephant ivory. First, 'green' or 'live' ivory usually referred to as 'new' ivory (not necessarily newly carved).
This ivory was usually taken from live elephants (poached?) But also, keep in mind the natives would kill elephants to eat and then harvest the tusks to sell later to the ivory buyers. Not all elephants that were poached were killed just for their tusks. Imagine having to feed a tribe of 300 natives daily in the barren plains of African. The elephant was a prime target. This new ivory is warm in color, translucent and dries out much lighter.
Then there is African elephant ivory and Asian elephant ivory. The Asian ivory is a denser white and is more open of grain and softer than African ivory. This is why most India carvings are so intricate, they used the ivory from Asian elephants, which is much easier to carve.
So the old fable of 'ivory grain' is not dependable to tell 'real ivory.' Some ivories have little grain.
There is also Western Africa ivory and Eastern Africa ivory. The ivory from the eastern side of African is referred to as 'soft ivory', which is more dull and contains more moisture and stands changes in temperature better. The ivory from Western Africa is referred to as 'hard ivory', which is glassy and translucent.
The Japanese used a lot of the Western African ivory for their Okimonos.
So, now that you are totally confused about the many types of ivory, I will tell you that elephant ivory does not always have obvious grain. I use a 15x loupe to inspect for grain. On the bottom of most carvings you like to see the crosshatching where the grains crisscross. This cannot be 'faked', but also does not mean it is not ivory if absent. Hippo ivory will have fine grain but no crosshatching.
THE TEST
The tried and true method to test ivory is the famous 'hot pin test'. This method is used by beginners and experts alike. Because true ivory is virtually impenetrable with heat, this is a good test and will not damage the item if it is 'real'.
Take a pin, large needle, or better yet, a large straightened out safety pin, and heat the tip RED-HOT. Poke the item somewhere that it will not show too bad. I use the Netsuke hole. If it is real ivory, it will NOT penetrate and only leaves a tiny, tiny mark. If it is resin, it will enter the item and produce a little crater around the hole.
Now the big test. Smell the 'smoke' that comes of the test as you are poking the item. If it is real ivory, it will have that unmistakable smell of the dentist's office, when you had that root canal. It smells like burning tooth, because it IS. If it smells like burning plastic, it IS.
Now, bone is also resistant to heat, but not as much as ivory. The smell is less, or hardly at all, and is different from burning tooth. Bone is absolutely free of grain and will always have little pock marks, where the marrow or blood was. One may need a loupe to see such pock marks ..."
www.asian-arts.net/oriental-treats/fake.html (Pacific City Antiques Gallery)
Saturday, January 14, 2012
Happy Endings ...
Several months ago I made a pair of sterling and garnet dangle earrings for my sister in appreciation for a favor she did for me. (I love barter)
On only the second or third time she wore them she came home from the restaurant and realized she was missing one. She went back to the restaurant the next day, but nothing had been found.
Today she went back to Thai Bamboo, just on the slim chance the earring showed up. Lo and behold! It was her luck day! The earring is back in her possession and we're BOTH happy about it!
Just a reminder that those pesky little plastic earring plugs DO work, and can save you the heartbreak of a lost earring. You can push them up behind your ear, out of sight; a great precaution!
I hate to see anyone lose an earring, but I have to admit I LOVE being asked to create something mismatched to match the remaining earring. Just ask me!
On only the second or third time she wore them she came home from the restaurant and realized she was missing one. She went back to the restaurant the next day, but nothing had been found.
Today she went back to Thai Bamboo, just on the slim chance the earring showed up. Lo and behold! It was her luck day! The earring is back in her possession and we're BOTH happy about it!
Just a reminder that those pesky little plastic earring plugs DO work, and can save you the heartbreak of a lost earring. You can push them up behind your ear, out of sight; a great precaution!
I hate to see anyone lose an earring, but I have to admit I LOVE being asked to create something mismatched to match the remaining earring. Just ask me!
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A separate example: The earring on the left lost its mate. I played on the calligraphy aesthetic with vintage amber and came up with the mismatched match on the right. Happy customer! |
Sunday, January 8, 2012
Missing an opportunity ...
Since launching my West As the Crow Flies store online at Etsy, I've expanded the inventory from cabochons, polished stones, sterling silver findings and vintage collectibles to include specialty fiber bundles.
I use so little of a variety of fibers in my fiber-wrapped brooches and the like, but I always have to buy an entire--costly--skein for just a yard or three. I know there must be fiber artists "out there" just like me who would love to use these novelty threads but not have to spend an arm and a leg to use them. One skein I remember cost me about $28 for the skein, and it was well-worth the expense, but there I am with almost the whole skein.
So, I've included bundles of 6-7 different fibers in each bundle, each selection 4 yds in length for a total of 24-28 yards per bundle.
I realized I was missing an opportunity whence selling those fiber bundles! The fiber bundles cost under $5 each, and yet the fiber-wrapped brooches sell for $25 and up. Why not include sample photographs with the specialty yarn bundles showing how I use the fibers being sold?! Then cross reference to the Etsy store where they can be purchased ... http://www.birchbaykay.etsy.com/ Indeed!
It's all a learning process. I think I'm a little slower than others, but I'm learning!
So, here are a few of the fiber sample photographs I'll include:
I use so little of a variety of fibers in my fiber-wrapped brooches and the like, but I always have to buy an entire--costly--skein for just a yard or three. I know there must be fiber artists "out there" just like me who would love to use these novelty threads but not have to spend an arm and a leg to use them. One skein I remember cost me about $28 for the skein, and it was well-worth the expense, but there I am with almost the whole skein.
So, I've included bundles of 6-7 different fibers in each bundle, each selection 4 yds in length for a total of 24-28 yards per bundle.
I realized I was missing an opportunity whence selling those fiber bundles! The fiber bundles cost under $5 each, and yet the fiber-wrapped brooches sell for $25 and up. Why not include sample photographs with the specialty yarn bundles showing how I use the fibers being sold?! Then cross reference to the Etsy store where they can be purchased ... http://www.birchbaykay.etsy.com/ Indeed!
It's all a learning process. I think I'm a little slower than others, but I'm learning!
So, here are a few of the fiber sample photographs I'll include:
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A brooch |
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A brooch |
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A brooch |
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A lariat neckpiece |
![]() |
A brooch |
Friday, December 2, 2011
You call it fibre, I call it fiber ...
Same-o Same-o
Working with fibers is so tactile, I love the feel of the different weights and consistencies. One might think that threads are limp and ready to go wherever you want to wrap or coil them. Au contrare! I have started many a brooch or neckpiece with fibers and let me tell you, they have a will of their own. When I thought I would turn the design one way, the fibers resist and insist that another direction is to be taken. When I thought a section of the design would be smooth and sophisticated, oh no! The piece wanted to be roughly woven or knots included.
As with life, one goes with the flow!
I've usually made brooches with my fiber-wrapped designs. But lately, I've wanted to expand beyond my self-imposed boundary, to make some lariat style neckpieces, or cuffs.
Several of my customers have urged me to make fiber-wrapped pendants. In this regard, I have started adding jump rings to the pinbacks, so the wearer can alternate between wearing the adornment as a brooch or as a pendant.
Here is the latest of the fiber-wrapped lariats:
Working with fibers is so tactile, I love the feel of the different weights and consistencies. One might think that threads are limp and ready to go wherever you want to wrap or coil them. Au contrare! I have started many a brooch or neckpiece with fibers and let me tell you, they have a will of their own. When I thought I would turn the design one way, the fibers resist and insist that another direction is to be taken. When I thought a section of the design would be smooth and sophisticated, oh no! The piece wanted to be roughly woven or knots included.
As with life, one goes with the flow!
I've usually made brooches with my fiber-wrapped designs. But lately, I've wanted to expand beyond my self-imposed boundary, to make some lariat style neckpieces, or cuffs.
Several of my customers have urged me to make fiber-wrapped pendants. In this regard, I have started adding jump rings to the pinbacks, so the wearer can alternate between wearing the adornment as a brooch or as a pendant.
Here is the latest of the fiber-wrapped lariats:
WHAT season 'tis it ...
'Tis the season for gift buying and gift giving! Here I am scurrying back and forth from workbench to the post office. It's WONDERFUL!
I love the energy generated and focused into new creations. It imbues my days and nights with a bit of an edge, to provide a product but to also maintain the integrity of originality and design. It's sometimes a difficult line to hold to when along with "Jingle Bells" I also hear "Hurry Up! Hurry Up!"
Of course, if I had followed up on my inner critic's urgings to "hurry up" earlier, I might not be in this pressure cooker. Nonetheless, I'm a happy artisan!
I finished a couple of pairs of earrings that include copper from my patina experimentation. I haven't yet finished the ones that were the original impetus for the project, based on the Chinese Lanterns. I still have those dried pods hanging on a rack on my workbench. I love their simple, natural presence.
I'll try to maintain this blog a little more religiously! New Year's resolution!
You can check out my Etsy store for new baubles that have been added. Check out the "Solds" too, so you can see new items that have already moved out of the "Active" queue.
http://www.birchbaykay.etsy.com/
I'm also have a Birch Bay Kay Page on Facebook.
Enjoy the magic of the days leading up to Christmas! Happy Holidays!
I love the energy generated and focused into new creations. It imbues my days and nights with a bit of an edge, to provide a product but to also maintain the integrity of originality and design. It's sometimes a difficult line to hold to when along with "Jingle Bells" I also hear "Hurry Up! Hurry Up!"
Of course, if I had followed up on my inner critic's urgings to "hurry up" earlier, I might not be in this pressure cooker. Nonetheless, I'm a happy artisan!
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Recycled Brass Shapes and natural Rhyolite beads |
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Amber, a yellow Jasper and hand cut Sterling calligraphy "Long Life" |
I finished a couple of pairs of earrings that include copper from my patina experimentation. I haven't yet finished the ones that were the original impetus for the project, based on the Chinese Lanterns. I still have those dried pods hanging on a rack on my workbench. I love their simple, natural presence.
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The bright blue patina is the result of exposure to Ammonia |
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The attractive green patina resulted from exposure to being buried in tobacco and salt and vinegar |
I'll try to maintain this blog a little more religiously! New Year's resolution!
You can check out my Etsy store for new baubles that have been added. Check out the "Solds" too, so you can see new items that have already moved out of the "Active" queue.
http://www.birchbaykay.etsy.com/
I'm also have a Birch Bay Kay Page on Facebook.
Enjoy the magic of the days leading up to Christmas! Happy Holidays!
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Saturday, September 3, 2011
A rosey posey "in the moment" reminder
I’ve been driving myself a little bonkers lately. You know how stress gets to your noggin, and before you know it, you’re running around like a chicken with its head cut off. (Oh, dear! What a grisly image!)
This morning I found myself scratching around at my workbench, not really working on anything, just fussing. This is not a productive activity, and with the holidays coming quickly upon us, I need to focus on creating jewelry.
I begrudgingly glanced up from my mess and my eyes fell upon a little glass vase with a couple of tiny tea roses I had plucked from Mel’s garden out back. They are small, I have been distracted, I forgot I had placed them there to enjoy.
I stopped what I wasn’t doing, picked up the diminutive vase. I hopefully sniffed, and YES! It had the most delicate, beautiful fragrance. I hadn’t smelled it earlier, because the roses are so small, their aroma so faint, and my workbench is 6 feet from the cat’s box.
Now, I know these little roses aren’t here to brighten my day. They aren’t weighed down with purpose, productivity. They just exist… no stress, no mind fighting, no recriminations because they aren’t bigger, better, rosier.
But, I thank the powers that be for creating these little roses, that smell so sweetly, that enable me to clear my thoughts, realign with nature … get my shit together.
Sunday, August 28, 2011
To the post office!
One might think that shipping would be the least fun of the tasks I have to do in this jewelry biz o'mine. Think again!
I absolutely love typing and printing out the mailing label, printing a little photo card for a personal, handwritten note to accompany the purchased bauble, making sure the jewelry is polished and looking its best for the man or woman it will soon be adorning, folding everything neatly in tissue or bubble wrap, filling out the insurance form for the post office. I even like to use my glue stick to affix the label to the mailing box, and securing taping the box closed.
All the time I'm preparing the shipment, I'm thinking of the person who purchased one of my creations. I know they'll be thrilled when they get the package. The jewelry will look so much better "in person" than it did in the photograph online. I can envision them immediately going to their closest mirror and trying on the earrings, neckpiece, brooch or bracelet. I can see them doing a little sashay of happiness.
I envision them at their next book club gathering and someone admiring their adornment. "Oh, these? Aren't they FAB? I bought them online at Etsy. They were made by Birch Bay Kay. I simply could NOT resist buying them for myself!"
As I stand in line at the post office tomorrow morning, I'll be soooo happy! Another satisfied client, another validation that my work has value, another peek at my Paypal balance when I get back home!
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